Patent pending cultural program management platform

The Network

The numbers behind the network.

We publish this data for transparency and trust. These numbers show who is in our network, who gets commissioned, and where investments go, helping us identify and close equity gaps in our processes.

Active artists

Artists registered on Monochronicle who have applied to at least one open call. Represents the supply side of the network.

Commissioned artists

Artists with a completed or in-progress commissioned project listed on Monochronicle. Represents demonstrated selection outcomes.

340+

Artists in the network

Active and commissioned combined

32

Projects posted

With verified budget data

$65K

Avg. budget (2026)

Up from $18K in 2025

10+

Years in public art

Founded in Gainesville, 2015

The Network

The Numbers Behind the Network.

We publish this data for transparency and trust. These numbers show who is in our network, who gets commissioned, and where investments go, helping us identify and close equity gaps in our processes.

Race / ethnicity - active vs. commissioned

How to read this

Compare rows to see where active applicants and commissioned artists diverge. Larger separation between pink and blue bars signals a representational gap worth reviewing.

Gender identity - active vs. commissioned

Selection mix

The comparison shows how selection outcomes differ from the active artist pool. It helps administrators question whether brief language, review panels, or support materials are narrowing participation.

Age - active vs. commissioned

What the age data shows

Age data is shown as a distribution so shifts between applicant supply and commissioned outcomes are easier to scan. The pattern is directional and should be read alongside project type, brief complexity, and support needs.

Projects Statistics

Projects Statistics

We analyze project statistics, including regional distribution, budget ranges, and budget trends over time. This dataset is derived from posted project information and is intended to provide useful insights for both artists and organizations.

Active artists - by primary medium

Supply is relatively even

Artists work across a broad mix of media. This view helps clients see where the network has depth before narrowing an open call too early.

Commissioned - by primary medium

Demand is concentrated

Commissioned work often clusters around practical public art formats. Comparing it with active supply helps reveal where briefs may be too narrow.